john gerrard
richie hawtin
plastikman
bronze.ai
infin
.
1
john gerrard
richie hawtin
plastikman
bronze.ai
a project
.
dawn
winter
jan
late morning
mar
early afternoon
may
midday
jun
late afternoon
jul
dusk
september
night
nov
midnight
dec
after midnight
jan
.
70.92 MB
144.52 MB
132.88 MB
104.59 MB
103.98 MB
59.77 MB
115.44 MB
206.26 MB
103.98 MB
infin
dawn
latemorning
earlyafternoon
midday
lateafternoon
dusk
night
midnight
aftermidnight
John Gerrard and Richie Hawtin aka Plastikman, both pioneers in their respective fields, have come together to create a unique art experience combining advanced digital simulation, original techno composition and artificial intelligence.
The resulting work - infin.1.iridescent.stream - becomes a minutely conceived and specified ‘techno room’ in which audiences are immersed in a unified musical and visual artwork for sitting, watching, listening and dancing. It is a space for optimism and dreaming, alone or together. infin.1.iridescent.stream is a flexible installation that can be scaled to its context. At its core is a high resolution LED wall in dialogue with a sculptural speaker stack.
This website features extracts from the annual solar simulation and captures moments of the bronze.ai musical score - elements that can only be fully experienced whilst visiting the installation.
infin.1.iridescent.stream premiered in Paris, November 2021, as part of an invitation-only event at the Hotel de Coulanges, ‘le 3537’, with the support of Dover Street Market / Comme des Garçons.
The installation was then featured at the inaugural FOR_MAT Festival, Bentonville Arkansas, September 2022. Presented on a monumental scale in a black monolithic pavilion situated on the festival landscape, alongside major experiential works by international artists such as Doug Aitken, Nick Cave, Studio DRIFT and Jacolby Satterwhite.
infin.1.iridescent.stream is available to tour to music festivals, museums, biennales and as a placemaker in urban or rural settings for new forms of public gathering and also exists as an installation artwork in an edition of 5+1, several of which are now in major private collections. It can be installed in a permanent, bespoke, site-specific pavilion or collected as software and installed for time-specific periods in galleries or homes at relative scales.
For further information about music festival touring, please contact:
Jim Martin- Founder - XXVII Arts: jim@xxviiarts.com
For further information about edition sales
or museum/biennale exhibitions, please contact:
Martine d’Anglejan-Chatillon – founder MDAC Productions: martine@mdac.work
